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For Artists6 min read

How Iara did five art exchanges across four countries in four months

Between July and October, artist Iara Vida moved through Brazil, Spain, Portugal, the UK, and Morocco — teaching earth pigment workshops, painting murals, and giving watercolor classes in exchange for accommodation, food, and workspace. Here's how the exchanges worked.

How Iara did five art exchanges across four countries in four months
Case studyExchangeTraveling artist

The artist

Iara Vida is a Brazilian artist whose practice centres on earth pigments — paints made from the dirt, clay, and ochre she gathers from the landscapes she travels through. Her exchanges combine teaching, making, and place: every workshop she runs uses materials collected from the surrounding land.

Between July and October 2025, she stopped in five destinations across four countries, doing a different kind of exchange in each.

Five exchanges, four months

July — Chapada dos Veadeiros, Brazil. A three-day residency on a fazenda in the cerrado. Iara led a workshop teaching participants to paint with local earth pigments and connect with their inner child through the process.

August — Spain and Portugal. Watercolor classes in Spain. In Portugal, live painting, prints, and watercolor sessions.

September — United Kingdom. A mural and a series of wood-surface artworks made from earth gathered in Bristol, Chippenham, and Gold Valley. Artistic mentorships. A workshop in Hereford.

September — Madrid (remote). Online art classes.

October — Morocco. A residency at a cultural space, a watercolor-with-earth residency at a hostel in Marrakesh, and one-on-one watercolor sessions.

How the exchanges worked

The format varied. Hosts included a farm, private homes, a hostel, a Moroccan pousada, and a cultural space. What stayed consistent was the trade: Iara taught, painted, or made work with local materials, and in return received everything she needed — accommodation, food, workspace, materials, and in some cases a fee.

Most stays followed a similar rhythm: roughly three days of active creating or teaching, plus about a week to rest, explore the area, and absorb the place before moving on. The short-sprint shape let her stack five exchanges into four months without burning out.

The transformation

When asked what impact the journey had on her work, Iara is direct: "It gave me authority and a lot of experience."

She credits the geographic and cultural variety for the shift. Moving between the cerrado, the Iberian coast, the English countryside, and the Moroccan medina meant constantly adjusting — to the light, the materials, the pace, the people.

"In every place I had beautiful exchanges. I tasted another cuisine, another culture, another way of seeing life. Each one pulled me out of my comfort zone and taught me something new. I consider myself a different person now."

What she'd change

Iara says she would do it all again. Her one wish: a way to discover more opportunities without relying solely on word of mouth.

Most of her exchanges came through personal connections — a friend of a friend, a chance meeting, a comment on a post. That worked, but it meant her options were limited to whoever happened to be in her network at the right time.

What she's asking for isn't a different kind of exchange. It's a place where artists and hosts can find each other more easily — where opportunities are visible, not hidden. That's what Artaway is built around: bringing these exchanges into the open so more artists can access them and more hosts can offer them.

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